{"id":18489,"date":"2025-11-04T08:41:06","date_gmt":"2025-11-04T08:41:06","guid":{"rendered":"https:\/\/entrenotasyacordes.com\/?p=18489"},"modified":"2025-11-04T08:41:06","modified_gmt":"2025-11-04T08:41:06","slug":"bootleg-series-volume-18-through-the-open-window-1956-1963-de-bob-dylan","status":"publish","type":"post","link":"https:\/\/entrenotasyacordes.com\/?p=18489","title":{"rendered":"BOOTLEG SERIES VOLUME 18: THROUGH THE OPEN WINDOW, 1956-1963 de BOB DYLAN"},"content":{"rendered":"\n

YA DISPONIBLE AQU\u00cd<\/a> EN COLUMBIA RECORDS \/ LEGACY RECORDINGS<\/strong><\/p>\n\n\n\n

CAJA DELUXE 8CD NARRA LOS PRIMEROS A\u00d1OS DE DYLAN EN GREENWICH VILLAGE INCLUYE GRABACIONES CASERAS RARAS E IN\u00c9DITAS, TOMAS DE ESTUDIO, ESPECT\u00c1CULOS EN CAFETER\u00cdAS Y CLUBES NOCTURNOS, TODO DE FUENTES DE CINTA NUEVAS<\/p>\n\n\n\n

PRESENTA UNA GRABACI\u00d3N COMPLETA IN\u00c9DITA DEL ESPECT\u00c1CULO HIST\u00d3RICO DE DYLAN EN EL CARNEGIE HALL, EL 26 DE OCTUBRE DE 1963, MEZCLADA A PARTIR DE LAS CINTAS ORIGINALES<\/p>\n\n\n\n

TAMBI\u00c9N DISPONIBLE EN EDICIONES DESTACADAS DE 2CD Y 4LP<\/p>\n\n\n

\n
<\/figure>\n<\/div>\n\n\n

\u201cImpresionante\u00bb
\u00abNunca se nos ha proporcionado un documento tan granular de la metamorfosis [de Dylan], y lo r\u00e1pido, implacable y, a menudo, impresionante que podr\u00eda ser\u00bb. – Rolling Stone<\/p>\n\n\n\n

10\/10 \u2014 REEDICI\u00d3N DEL MES<\/strong> \u00abAsombrosa y profunda inmersi\u00f3n en los a\u00f1os de formaci\u00f3n de Dylan. La notable transformaci\u00f3n de Dylan
 es materia de leyenda […] Este es el sonido de Dylan no tanto capturando o aprovechando el momento como Dylan convirti\u00e9ndose en el momento en s\u00ed mismo\u00bb. – Uncut<\/p>\n\n\n\n

\u00abUn tesoro oculto […] la apoteosis de las im\u00e1genes vibrantes y el comando magn\u00e9tico
 de su fase de avance, cada maldita canci\u00f3n es una trascendencia\u00bb. – Mojo<\/p>\n\n\n\n

\u00abEs lo m\u00e1s cerca que estar\u00e1s de ser una mosca en la pared, una cara en la multitud, al pin\u00e1culo del comienzo de la carrera de Dylan\u00bb. – Hot Press<\/p>\n\n\n\n

\u201cUno de los mejores \u00e1lbumes de Dylan Bootleg Series. Cualquiera que le gusten los \u00e1lbumes ac\u00fasticos de principios de los 60 de  Dylan necesitaThrough the Open Window<\/em>.\u00bb – Rhythms<\/p>\n\n\n\n

\u201cCon la pel\u00edcula biogr\u00e1fica nominada al Oscar A Complete Unknown todav\u00eda relativamente fresca en la mente del p\u00fablico, el momento no podr\u00eda ser mejor para [Through The Open Window<\/em>], una evaluaci\u00f3n de ocho discos de los a\u00f1os formativos de Dylan […] Sus primeros pasos en el camino hacia el genio\u00bb. – Ultimate Classic Rock<\/p>\n\n\n\n

El aclamado Bootleg Series Volume 18: Through The Open Window, 1956-1963 de Bob Dylan<\/em><\/strong> est\u00e1 disponible en Columbia Records y Legacy Recordings, la divisi\u00f3n de cat\u00e1logo de Sony Music Entertainment.<\/p>\n\n\n\n

Through The Open Window<\/em><\/strong> <\/em>cuenta la historia del surgimiento y la maduraci\u00f3n de Dylan como compositor e int\u00e9rprete, desde Minnesota hasta la bohemia de Greenwich Village a principios de la d\u00e9cada de 1960. Llegando en medio de un resurgimiento global en el aprecio por Dylan, la colecci\u00f3n incluye raras tomas descartadas de Columbia Records, grabaciones realizadas en fechas de clubes, en peque\u00f1as reuniones informales, en apartamentos de amigos, y en sesiones de improvisaci\u00f3n en lugares de reuni\u00f3n de m\u00fasicos desaparecidos hace mucho tiempo. Muchas de las grabaciones son extremadamente raras; otros nunca se han presentado de ninguna forma.<\/p>\n\n\n\n

El boxset es un relato \u00fanico de los primeros a\u00f1os de Dylan, cuando perfeccion\u00f3 su talento y transform\u00f3 canciones folcl\u00f3ricas tradicionales y bocetos l\u00edricos en algunas de sus mejores y m\u00e1s duraderas canciones, incluidas \u00abBlowin’ in the Wind\u00bb y \u00abThe Times They Are A-Changin'\u00bb.<\/p>\n\n\n\n

Concluye con una grabaci\u00f3n in\u00e9dita, en su totalidad, del hist\u00f3rico concierto de Dylan en el Carnegie Hall el 26 de octubre de 1963. Una culminaci\u00f3n del excepcional ascenso temprano de Dylan, ese concierto tambi\u00e9n marc\u00f3 el final del comienzo de la larga carrera de Dylan. <\/p>\n\n\n\n

\u00abDe esa \u00e9poca y esos lugares, esta colecci\u00f3n es solo un fragmento\u00bb, escribe el autor e historiador Sean Wilentz<\/strong> en su ensayo de notas de 125 p\u00e1ginas. \u00abAun as\u00ed, como un registro auditivo de un artista que se convierte en \u00e9l mismo, o en el caso de Dylan, en el primero de muchos yoes art\u00edsticos, la colecci\u00f3n tiene como objetivo colapsar el tiempo y el espacio, no como un ensue\u00f1o nost\u00e1lgico sino como una conexi\u00f3n viva entre el pasado y el presente, lo viejo y lo nuevo, que nunca son tan distintos como podr\u00edamos pensar\u00bb.<\/p>\n\n\n\n

El conjunto de 8 CD Deluxe incluye 139 pistas: 48 actuaciones nunca antes lanzadas, as\u00ed como 38 cortes s\u00faper raros, adem\u00e1s de un libro de tapa dura con extensas notas de Sean Wilentz y m\u00e1s de 100 fotograf\u00edas raras. Las ediciones destacadas de 2CD y 4LP incluyen 42 pistas.<\/p>\n\n\n\n

TRACKLIST<\/strong>
BOOTLEG SERIES VOLUME 18: THROUGH THE OPEN WINDOW, 1956-1963<\/em><\/strong><\/p>\n\n\n\n

DISC 1<\/strong>
1. LET THE GOOD TIMES ROLL
December 24, 1956 \u2013 Terlinde Music Shop, St. Paul, MN<\/em>
2. I GOT A NEW GIRL
May 1959 \u2013 Home of Ric Kangas, Hibbing, MN<\/em>
3. SAN FRANCISCO BAY BLUES
4. JESUS CHRIST
September 1960 \u2013 Home of Bob Dylan, Minneapolis, MN<\/em>
5. EAST VIRGINIA BLUES 
6. K.C. MOAN
7. HARD TRAVELIN\u2019
Late 1960 \u2013 Madison, WI<\/em>
8. PASTURES OF PLENTY
9. REMEMBER ME
February 1961 \u2013 Home of Bob and Sid Gleason, East Orange, NJ<\/em>
10. SONG TO WOODY
11. TALKIN\u2019 BEAR MOUNTAIN PICNIC MASSACRE BLUES
September 6, 1961 \u2013 The Gaslight Cafe, NYC<\/em>
12. AIN\u2019T NO GRAVE
Summer 1961 \u2013 Home of Mell and Lillian Bailey, NYC<\/em>
13. I AIN\u2019T GOT NO HOME
May 13, 1961 \u2013 Coffman Theater, University of Minnesota, Minneapolis, MN<\/em>
14. DEATH DON\u2019T HAVE NO MERCY
15. DEVILISH MARY
May 1961 \u2013 Minneapolis, MN<\/em>
16. Introduction: RIVERSIDE CHURCH
17. HANDSOME MOLLY
July 29, 1961 \u2013 Saturday of Folk Music (WRVR-FM), Riverside Church, NYC<\/em>
18. Introduction: SEE THAT MY GRAVE IS KEPT CLEAN
19. SEE THAT MY GRAVE IS KEPT CLEAN
20. THE GIRL I LEFT BEHIND
21. Introduction: PRETTY BOY FLOYD
22. PRETTY BOY FLOYD
23. RAILROADING ON THE GREAT DIVIDE
October 1, 1961 \u2013 Gerdes Folk City, NYC<\/em>
24. Introduction: FIXIN\u2019 TO DIE
25. FIXIN\u2019 TO DIE
1961 \u2013 Folklore Center, NYC<\/em>
26. I\u2019LL FLY AWAY \u2013 Take 1 (Alternate Take)*
September 29, 1961 \u2013 Carolyn Hester sessions, Studio A, Columbia Recording Studios, NYC<\/em><\/p>\n\n\n\n

DISC 2<\/strong>
1. Introduction: IN THE PINES
2. IN THE PINES
3. GOSPEL PLOW
4. Introduction: YOUNG BUT DAILY GROWING
5. YOUNG BUT DAILY GROWING
6. MAN ON THE STREET
7. THIS LAND IS YOUR LAND*
8. PRETTY POLLY
November 4, 1961 \u2013 Carnegie Chapter Hall, NYC<\/em>
9. MAN OF CONSTANT SORROW \u2013 Rehearsal (Alternate Take, Nov 20, 1961)
10. HOUSE CARPENTER \u2013 Take 1 (Outtake, Nov 22, 1961)*
11. YOU\u2019RE NO GOOD \u2013 Take 2 with Take 6 Insert (Alternate Take, Nov 20, 1961)
12. HE WAS A FRIEND OF MINE \u2013 Take 2 (Outtake, Nov 20, 1961)*
13. RAMBLIN\u2019 ROUND \u2013 Take 2 (Outtake, Nov 22, 1961)*
Bob Dylan sessions Studio A, Columbia Recording Studios, NYC<\/em>
14. Story: EAST ORANGE, NEW JERSEY
15. STEALIN\u2019
16. PO\u2019 LAZARUS
17. DINK\u2019S SONG*
18. I WAS YOUNG WHEN I LEFT HOME*
19. IN THE EVENING
20. BABY, LET ME FOLLOW YOU DOWN
21. COCAINE
December 22, 1961 \u2013 Home of Bonnie Beecher, Minneapolis, MN<\/em><\/p>\n\n\n\n

DISC 3<\/strong>
1. THE DEATH OF EMMETT TILL
2. Conversation: FOLKSINGER\u2019S CHOICE, 1
3. ROLL ON, JOHN*
4. Conversation: FOLKSINGER\u2019S CHOICE, 2
5. HARD TIMES IN NEW YORK TOWN
Broadcast March 11, 1962 \u2013 Folksinger\u2019s Choice, WBAI-FM Studios, NYC<\/em>
6. TALKIN\u2019 JOHN BIRCH PARANOID BLUES
March 1962 \u2013 Home of Mell and Lillian Bailey, NYC<\/em>
7. BALLAD OF DONALD WHITE
September 20, 1962 \u2013 Home of Mac and Eve McKenzie, NYC<\/em>
8. MIDNIGHT SPECIAL \u2013 Rehearsals
9. MIDNIGHT SPECIAL \u2013 Take 17 (Alternate Take)
February 2, 1962 \u2013 The Midnight Special sessions, Webster Hall, NYC<\/em>
10. WICHITA (Album Version)*
11. IT\u2019S DANGEROUS (Album Version)*
March 2, 1962 \u2013 Three Kings and the Queen and Kings and the Queen, Volume Two sessions, Cue Recording Studios, NYC<\/em>
12. HONEY, JUST ALLOW ME ONE MORE CHANCE**
13. TALKIN\u2019 NEW YORK**
14. CORRINA, CORRINA*
15. DEEP ELLUM BLUES**
16. Introduction: BLOWIN\u2019 IN THE WIND
17. BLOWIN\u2019 IN THE WIND*
April 16, 1962 \u2013 Gerdes Folk City, NYC<\/em>
18. RAMBLING, GAMBLING WILLIE \u2013 Take 3 (Outtake)**
19. (I HEARD THAT) LONESOME WHISTLE \u2013 Take 2 (Outtake)**
April 24, 1962 \u2013 Freewheelin\u2019 sessions, Studio A, Columbia Recording Studios, NYC<\/em> <\/em>
20. ROCKS AND GRAVEL \u2013 Take 3 (Outtake)**
April 25, 1962 \u2013 Freewheelin\u2019 sessions, Studio A, Columbia Recording Studios, NYC<\/em>
21. PATHS OF VICTORY
22. TRAIN A-TRAVELIN\u2019 (Album Version)*
October-December 1962 \u2013 Broadside Office, NYC<\/em>
23. HIRAM HUBBARD**
24. QUIT YOUR LOW DOWN WAYS**
25. LET ME DIE IN MY FOOTSTEPS**
26. RAMBLIN\u2019 ON MY MIND**
27. BLUE YODEL NO. 8 (MULE SKINNER BLUES)**
July 2, 1962 \u2013 The Finjan, Montreal, Canada<\/em><\/p>\n\n\n\n

DISC 4<\/strong>
1. BABY, PLEASE DON\u2019T GO \u2013 Take 3 (Outtake)**
April 25, 1962 \u2013 Freewheelin\u2019 sessions, Studio A, Columbia Recording Studios, NYC<\/em>
2. WORRIED BLUES \u2013 Take 1 (Outtake)**
3. BABY, I\u2019M IN THE MOOD FOR YOU \u2013 Take 4 (Outtake)**
4. BOB DYLAN\u2019S BLUES \u2013 Take 2 (Outtake)**
July 9, 1962 \u2013 Freewheelin\u2019 sessions, Studio A, Columbia Recording Studios, NYC<\/em>
5. Introduction: TOMORROW IS A LONG TIME
6. TOMORROW IS A LONG TIME
7. THIS LAND IS YOUR LAND \u2013 The Last Verses
8. LONG TIME GONE
August 11, 1962 \u2013 Home of Dave Whitaker, Minneapolis, MN<\/em>
9. A HARD RAIN\u2019S A-GONNA FALL*
10. DON\u2019T THINK TWICE, IT\u2019S ALL RIGHT*
11. BARBARA ALLEN*
12. THE CUCKOO*
October 1962 \u2013 The Gaslight Cafe, NYC<\/em>
13. THAT\u2019S ALL RIGHT \u2013 Take 5 (Outtake)**
October 26, 1962 \u2013 Freewheelin\u2019 sessions, Studio A, Columbia Recording Studios, NYC<\/em>
14. MIXED-UP CONFUSION \u2013 Take 10 (Single Alternate Take)**
November 1, 1962 \u2013 Freewheelin\u2019 sessions, Studio A, Columbia Recording Studios, NYC<\/em>
15. BALLAD OF HOLLIS BROWN \u2013 Take 2 (Outtake)**
16. KINGSPORT TOWN \u2013 Take 2 (Outtake)*
N<\/em>ovember 14, 1962 \u2013 Freewheelin\u2019 sessions, Studio A, Columbia Recording Studios, NYC<\/em>
17. WHATCHA GONNA DO? \u2013  Remake, Take 1 (Outtake)**
18. HERO BLUES \u2013 Take 4 (Outtake)**
19. I SHALL BE FREE \u2013 Take 3 (Alternate Take)**
December 6, 1962 \u2013 Freewheelin\u2019 sessions, Studio A, Columbia Recording Studios, NYC<\/em><\/p>\n\n\n\n

DISC 5<\/strong>
1. THE BALLAD OF THE GLIDING SWAN
Broadcast January 13, 1963 \u2013 \u201cMadhouse on Castle Street,\u201d<\/em> BBC-TV Studios, London, England<\/em>
2. ONLY A HOBO (Album Version)*
3. JOHN BROWN (Album Version)*
February 1963 \u2013 Broadside Ballads, Vol<\/em>.<\/em> 1 sessions, Folkways Studio, NYC<\/em>
4. ALL OVER YOU**
February 8, 1963 \u2013 NYC<\/em>
5. OXFORD TOWN* (Demo)
March 1963 \u2013 Witmark Studio, NYC<\/em>
6. BOB DYLAN\u2019S DREAM*
7. Introduction: WALLS OF RED WING
8. WALLS OF RED WING**
9. Introduction: TOMORROW IS A LONG TIME
10. TOMORROW IS A LONG TIME* 
11. DUSTY OLD FAIRGROUNDS**
12. Introduction: PRETTY PEGGY-O
13. PRETTY PEGGY-O**
14. WHO KILLED DAVEY MOORE?**
15. LAST THOUGHTS ON WOODY GUTHRIE*
April 12, 1963 \u2013 Town Hall, NYC<\/em>
16. JAMES ALLEY BLUES**
April 18, 1963 \u2013 Home of Mac and Eve McKenzie, NYC<\/em>
17. I RODE OUT ONE MORNING**
April 19, 1963 \u2013 Home of Mac and Eve McKenzie, NYC<\/em>
18. HOUSE OF THE RISING SUN**
April 18, 1963 \u2013 Home of Mac and Eve McKenzie, NYC<\/em>
19. TALKIN\u2019 WORLD WAR III BLUES
April 21, 1963 \u2013 Club 47, Cambridge, MA<\/em>
20. MASTERS OF WAR \u2013 Take 6 (Alternate Take)
21. GIRL FROM THE NORTH COUNTRY \u2013 Take 4 (Alternate Take)
April 24, 1963 \u2013 Freewheelin\u2019 sessions, Studio A, Columbia Recording Studios, NYC<\/em><\/p>\n\n\n\n

DISC 6<\/strong>
1. Introduction by Cordell Reagon
2. ONLY A PAWN IN THEIR GAME
3. BLOWIN\u2019 IN THE WIND
July 6, 1963 \u2013 SNCC Voter Registration Rally, Greenwood, MS<\/em>
4. ETERNAL CIRCLE
5. LIVERPOOL GAL
6. WEST MEMPHIS
July 17, 1963 \u2013 Home of Tony Glover, Minneapolis, MN<\/em>
7. NORTH COUNTRY BLUES*
8. WITH GOD ON OUR SIDE*
July 27, 1963 \u2013 Newport Folk Festival, Newport, RI<\/em>
9. PLAYBOYS AND PLAYGIRLS*
July 28, 1963 \u2013 Newport Folk Festival, Newport, RI<\/em>
10. BLOWIN\u2019 IN THE WIND*
July 26, 1963 \u2013 Newport Folk Festival, Newport, RI; Bob Dylan: vocals and guitar<\/em>
11. Slate: BOOTS OF SPANISH LEATHER
12. BOOTS OF SPANISH LEATHER \u2013 Take 1 (Alternate Take)
13. SEVEN CURSES \u2013 Take 3 (Outtake)*
14. FAREWELL \u2013 Take 5 (Outtake)*
August 6, 1963 \u2013 The Times They Are A-Changin\u2019 sessions, Studio A, Columbia Recording Studios, NYC<\/em>
15. BOB DYLAN\u2019S NEW ORLEANS RAG \u2013 Remake, Take 3 (Outtake)
August 7, 1963 \u2013 The Times They Are A-Changin\u2019 sessions, Studio A, Columbia Recording Studios, NYC<\/em>
16. MOONSHINER \u2013 Remake, Take 1 (Outtake)*
August 12, 1963 \u2013 The Times They Are A-Changin\u2019sessions, Studio A, Columbia Recording Studios, NYC<\/em>
17. Introduction by Joan Baez
18. TROUBLED AND I DON\u2019T KNOW WHY*
August 17, 1963 \u2013 Forest Hills Tennis Stadium, NYC<\/em>
19. Introduction by Ossie Davis
20. WHEN THE SHIP COMES IN**
August 28, 1963 \u2013 March on Washington, Washington, D.C.<\/em>
21. THE LONESOME DEATH OF HATTIE CARROLL
September 1963 \u2013 Home of Ben Shapiro, Los Angeles<\/em>
22. THE TIMES THEY ARE A-CHANGIN\u2019
September 1963 \u2013 California<\/em>
23. ONE TOO MANY MORNINGS \u2013 Take 1 (Alternate Take)
October 24, 1963 \u2013 The Times They Are A-Changin\u2019 sessions, Studio A, Columbia Recording Studios, NYC<\/em>
24. KEY TO THE HIGHWAY \u2013 Take 1 (Outtake)
October 23, 1963 \u2013 The Times They Are A-Changin\u2019 sessions, Studio A, Columbia Recording Studios, NYC<\/em><\/p>\n\n\n\n

DISC 7<\/strong>
1. THE TIMES THEY ARE A-CHANGIN\u2019*
2. BALLAD OF HOLLIS BROWN*
3. Introduction: WHO KILLED DAVEY MOORE?
4. WHO KILLED DAVEY MOORE?*
5. BOOTS OF SPANISH LEATHER*
6. TALKIN\u2019 JOHN BIRCH PARANOID BLUES*
7. LAY DOWN YOUR WEARY TUNE*
8. Introduction: BLOWIN\u2019 IN THE WIND
9. BLOWIN\u2019 IN THE WIND**
10. Introduction: PERCY\u2019S SONG
11. PERCY\u2019S SONG**
12. SEVEN CURSES**
13. WALLS OF RED WING**
14. Introduction: NORTH COUNTRY BLUES
15. NORTH COUNTRY BLUES*
16. A HARD RAIN\u2019S A-GONNA FALL*
October 26, 1963 \u2013 Carnegie Hall, NYC<\/em><\/p>\n\n\n\n

DISC 8<\/strong>
1. TALKIN\u2019 WORLD WAR III BLUES**
2. DON\u2019T THINK TWICE, IT\u2019S ALL RIGHT**
3. Story: HOOTENANNY HOOT
4. WITH GOD ON OUR SIDE*
5. ONLY A PAWN IN THEIR GAME**
6. Introduction: MASTERS OF WAR
7. MASTERS OF WAR*
8. Introduction: THE LONESOME DEATH OF HATTIE CARROLL
9. THE LONESOME DEATH OF HATTIE CARROLL*
10. Introduction: WHEN THE SHIP COMES IN
11. WHEN THE SHIP COMES IN*
October 26, 1963 \u2013 Carnegie Hall, NYC<\/em><\/p>\n\n\n\n

*TODAS LAS PISTAS PREVIAMENTE IN\u00c9DITAS A MENOS QUE SE INDIQUE LO CONTRARIO<\/strong><\/p>\n\n\n\n

**Lanzado anteriormente en 50th Anniversary Collection 1962<\/em> y <\/strong>
The 50th Anniversary Collection 1963<\/em> (Sony)<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

YA DISPONIBLE AQU\u00cd EN COLUMBIA RECORDS \/ LEGACY RECORDINGS CAJA DELUXE 8CD NARRA LOS PRIMEROS A\u00d1OS DE DYLAN<\/p>\n","protected":false},"author":5,"featured_media":18488,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[4,34],"tags":[],"class_list":["post-18489","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musica","category-ultimas-noticias"],"_links":{"self":[{"href":"https:\/\/entrenotasyacordes.com\/index.php?rest_route=\/wp\/v2\/posts\/18489","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/entrenotasyacordes.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/entrenotasyacordes.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/entrenotasyacordes.com\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/entrenotasyacordes.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=18489"}],"version-history":[{"count":1,"href":"https:\/\/entrenotasyacordes.com\/index.php?rest_route=\/wp\/v2\/posts\/18489\/revisions"}],"predecessor-version":[{"id":18490,"href":"https:\/\/entrenotasyacordes.com\/index.php?rest_route=\/wp\/v2\/posts\/18489\/revisions\/18490"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/entrenotasyacordes.com\/index.php?rest_route=\/wp\/v2\/media\/18488"}],"wp:attachment":[{"href":"https:\/\/entrenotasyacordes.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=18489"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/entrenotasyacordes.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=18489"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/entrenotasyacordes.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=18489"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}